Photo courtesy of stock.xchng. ©2006 Atroszko. |
Under a spreading Chestnut treeThe village smithy stands;The smith, a mighty man is he,With large and sinewy hands;And the muscles in his brawny armsAre strong as iron bands.
“The Village Blacksmith” was my very first encounter with
Henry Wadsworth Longfellow. I was in third grade and my class was memorizing a
new poem every month for the year. Of all the poems we covered the only other
two I remember are “The Dual” and “Keep a Poem inYour Pocket.”
In eight, six-line stanzas we are given a vividly detailed story of love won and lost, of a life that continues on despite the grief, and of the lesson we can take away from one man’s example.
I’ve always wondered if there really was a spreading
chestnut tree, if a smithy was nestled beneath its branches, and if inside
there worked a dedicated yet gentle man. Was he a friend? Was he an adult in the
place where Longfellow grew up? Or was he a stranger Longfellow noticed in
passing and became as enthralled with as the children?
Or was the blacksmith just a story after all? A tale cobbled
together from bits and pieces of life experiences.
I was reminded of this poem when a friend quoted from the
last stanza a few days ago, and it’s caused me to ponder those words, the
rhythm, and the purpose ever since.
As writers many of us dream of creating the next great
novel. We pour hours into plot lines. We fill days hammering out character
descriptions. And we spend weeks honing the description of our fictional world
down to the last popping ember.
In the process it’s easy to forget what a story is: a snapshot of a specific moment that conveys the essence of humanity’s greatest joys and sorrows.
I learned a valuable lesson in re-reading my favorite childhood poem
this past week: Anyone can create a world in 500 pages.
It takes a true artist to capture an entire life in 48
lines.
How poetic. And so true. Thanks for sharing!
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